Just for Today (2019) is an Israeli drama series. A half-way home for recently released prisoners is to be permanently closed. The former prisoners are in an junction with their lives. Are they able to integrate back into society or will their past lead them back into their previous lives?

The series follows Anat, an idealist social worker. She has been the manager of the group home. She has to now deal with the shutting down of her life’s work. Also she meets again with Niko, her former ward.

Cinematographer Guy Raz used Whitepoint Optics TS70 lenses in shooting of Just for Today.

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Just for Today on IMDb
“Thoughts on Large Format Cinematography” by Guy Raz, Cinemarographer of Just for Today

How It Ends (2018) is an apocalyptic action-drama film, distributed by Netflix, about a man who struggles to reach his pregnant wife, who is thousands of miles away.

Will and Samantha are a young couple expecting their first child. They are temporarily apart, when odd things starts to happen. Some seismic events lead to almost apocalyptic atmosphere. Will tries to get to his wife through intense happenings.

Director of Photography Peter Flinckenberg used Whitepoint Optics TS70 lenses in shooting How It Ends.

Read more:
Peter Flinckenberg, FSC and director David M. Rosenthal welcome AC to the Canadian set of Netflix’s apocalypse road movie
How It Ends on IMDb

Raising Dion is an American superhero drama series. It is based on the 2015 comic book and short film of the same name by Dennis Liu. Woman named Nicole loses her husband Mark, and is responsible of raising their son Dion alone. Dion starts to manifest several magical superhero-like abilities. Nicole tries to keep her son’s gifts secret. Mark’s best friend Pat helps Nicole in this while they are trying to figure out the origin of these abilities.

Cinematographer Peter Flinckenberg used WPO TS70 lenses when shooting Raising Dion.

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Raising Dion on IMDb

Mexican Netflix series Diablero is based on the book El Diablo me obligó (“The Devil made me do it”) by writer F.G. Haghenbeck. It tells the story of Father Ramiro Ventura, an alcoholic priest who finds himself seeking the aid of legendary “diablero” or demon hunter Elvis Infante. Nancy Gama, a modern day superhero joins the crew. Ventura finds out a daughter he didn’t know he had has been kidnapped. They seek to find this girl lost in Mexico City.

We are happy to tell that cinematographer Iván Hernández used WPO TS70 lenses when shooting the second season of Diablero.

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Diablero on IMDb

Based on a segment of weekly radio show This American Life, Come Sunday (2018) tells the story of Bishop Carlton Pearson, a beloved evangelical minister who, in the late 1990s, radically changed the message he preached. He was a rising star among evangelicals until he was ostracized by his own church and declared a heretic after he started preaching that there is no Hell.

We are proud to share that cinematographer Peter Flinckenberg used Whitepoint Optics TS70 Lenses in shooting Come Sunday.

Read more:
Sundance 2018: Here Are the Cameras Used to Shoot This Year’s Narrative Films
Come Sunday on IMDb